In the aftermath of nuclear apocalypse, a group of people are forced to live underground in bunkers. They cannot go outside their dwellings without wearing protective clothing and gas masks. They try to find hope in the disturbing new world. Among these people is a scientist who writes and recites letters to his son, who is missing and most likely dead.

"Abrams isn't a man so much as he's an avatar of cultural entropy. If you make something popular enough eventually you will die or sell it off and a person in thick rimmed glasses whose main artistic vision is that he loves to have meetings will take it and sandblast it until it's nothing. I hate to see this happen here but maybe it's good that this happened. Maybe every franchise should collapse into a version of itself that makes shareholders nod and shake each others' hands. We should learn to speak in a language that rich people who don't dream can't comprehend."

"Corridors make science-fiction believable, because they're so utilitarian by nature - really they're just a conduit to get from one (often overblown) set to another. So if any thought or love is put into one, if the production designer is smart enough to realise that corridors are the foundation on which larger sets are 'sold' to viewers, movie magic is close at hand."

"Funny, you called it parallels between two movies, when in truth, you just pointed out every single required plot line for every sci-fi/fantasy story out there."

Transmorphers. A movie that looks worse than a videogame.

better !

c'est nul mais brillament observé ;)

cheap knock offs of not always great movies :p

"10. Whenever a character looks at a terminal, the image is so bright that it
projects itself onto his/her face."

"Nearly every kill from every Friday the 13th film, back to back, and in chronological order." / (j'ai l'impression d'entendre des sons qui ont aussi été utilisés dans Carmageddon)

because they rock