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The concept “artificial intelligence” is a loaded terminology, situated in a
very specific territory and sparking a very particular imaginary of possible futures.
Silicon Valley and Hollywood’s fast and metallic futures, which are incompatible
with values, desires, and dreams of decolonial, antiracist, and transfeminist visions
of being on this planet. We seek to explore and expose the limitations of applying the
term AI to feminist technological practices and propose alternative epistemologies
and approaches to develop decolonial feminist tech. This paper is an epistemologi-
cal, historical, political, and creative exercise to expose the harmful Western-cente-
red logics and imaginaries that are guiding tech development towards technologies
of war, extractivism and domination and seek alternative terminologies that serve
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us as tools to help envision systems guided by social-environmental justice and
feminist principles, technologies of life and del buen vivir. To achieve such goal, we
travel in the history of western science fiction to untangle colonial and patriarchal
imaginaries that are guiding mainstream tech development; start to decolonize our
imaginaries by departing from a map of everything that is left behind when we use
the terminology “artificial intelligence”, and from a brief immersion in biology and
ecology studies, focused on mycology, soil studies, and a symbiotic approach to
evolution, using radical imagination and speculative narratives, we propose con-
cepts to inspire tech development that can be regenerative and in symbiosis with
the Earth, all its beings, temporalities and rhythms.
A cross-platform, customizable science fiction terminal emulator with advanced monitoring & touchscreen support.
William Gibson interview
HISTORICAL
Only the worst Sci-fi/Fantasy book covers
It's the story of the sysadmin charged with shutting down the first and only functional AI, which no one can figure out a reason to save -- and it's the story of the AI's bid to save its own life by fixing the Unix 32-bit rollover problem.
"Spy Numbers echoes GAKONA, the previous exhibit inspired by the work of Nikola Tesla, in its exploration of the electromagnetic spectrum and its margins. Extending beyond the phenomenon of number stations, the exhibition explores the themes of intrigue and conspiracy."
"Corridors make science-fiction believable, because they're so utilitarian by nature - really they're just a conduit to get from one (often overblown) set to another. So if any thought or love is put into one, if the production designer is smart enough to realise that corridors are the foundation on which larger sets are 'sold' to viewers, movie magic is close at hand."
on Blade Runner, the future, and paper
"Funny, you called it parallels between two movies, when in truth, you just pointed out every single required plot line for every sci-fi/fantasy story out there."
"NYNEX isn't a phone system at all: it's the embedded nervous system of an angel – a fallen angel"
Verisimilitude in its literary context is defined as the fact or quality of being verisimilar, the appearance of being true or real; likeness or resemblance of the truth, reality or a fact's probability. Verisimilitude comes from Latin verum meaning truth and similis meaning similar.
"One of the main purposes behind Theologus Autodidactus was to explain Islamic religious teachings in terms of science and philosophy through the use of a fictional narrative, hence this was an attempt at reconciling reason with revelation and blurring the line between the two."
yay
omg, nerds !
(je sais que t'adore détourner ce genre de trucs parfois kitsch :p)